Boris Morros In 1946, fueled by the diplomatic embers of World War II, J. Edgar Hoover’s anti-communist crusade kicked into high gear in America. In short order, Russia went from valued ally to treacherous adversary. In Los Angeles, movie studios fell in line with Hoover’s anti-Red crusade, producing films that either preached against communism or promoted American democracy or “the American way.” To stay on Hoover’s good side, the Hollywood censors examined scripts for hid

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